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Publications written by Anne LeBaron

 “Gary Hassay: Self-Taught Overtone Singer,”
        CD liner notes, 2007
 “Shelley Hirsch”, program for Subtropics Festival in Miami,
        2003
 “The American Composer’s Place in the New Grove II,” for
        NewMusicBox, online journal, American Music Center,
        Dec. 2002
 “Report from the 8th World Harp Congress in Geneva,” 
        World Harp Congress Journal, Fall 2002
 “Profile: Nikola Lutz,” Journal of the International Alliance for
        Women in Music
, Vol. 8, Nos. 1/2, 2002
“Reflections of Surrealism in Postmodern Musics,” essay in         Postmodern Music / Postmodern Thought, edited by Judy
        Lochhead and Joseph Auner, published by Routledge,
        2002
 “ ‘Je crois entendre encore,’ by Georges Bizet: An Analysis of
        the Original Aria and the Arrangement for Grover
        Washington, Jr.,” International Jazz Archives, Vol.2
        No.2. 1999.
 “Report from the 7th World Harp Congress in Prague,” 
       World Harp
Congress Journal, Fall 1999
“Croak! The Mystery of Vanishing Frogs,” Opera for Youth
       Journal
, 1996
 “Artist’s Forum,” Yaddo News, 1996
 “The ISCM World Music Days in Budapest,” Arts International,         1986
 “Darmstadt 1980,” co-authored with Denys Bouliane:
        Perspectives of New
Music 19, nos. 1-2 (Fall-Winter
        1980/Spring-Summer 1981)


Interviews, Ecyclopedia Entries, Articles, Lectures on Anne LeBaron
(does not include reviews)

Ammer, Christine, ed. Unsung: A History of Women in American          Music, 2d ed.Amadeus Press, 2000.
Anderson, E. Ruth. Contemporary American Composers :          
         A Biographical Dictionary, 2d ed. Boston: G.K. Hall, 1982.
Borger, Irene. The Force of Curiosity.  California Institute of the
         Arts / The Alpert Foundation, 1999.
Brennan, Gerald. "Pataphysical graffiti,"  in Mojo, July 2001.
Burns, Dr. Kristine, ed. Women and Music in America Since
        1900. The Oryx Press, 2000.
Cohen, Aaron I. International Encyclopedia of Women
        Composers, 2d ed. New York: Books & Music, 1987.
Cook, Richard, and Brian Morton. The Penguin Guide to Jazz
         on CD, LP, and Cassette.  London, New York : Penguin          Books, 1992.
Cseres, Jozef. "Smeruje sucasna opera k mytu?"  (translation:
        “Does Contemporary Opera Tend Towards Myth?") in 314
        revue
, Jan. 2001.
Cseres, Jozef. "Orfeus verzus Eurydika?" in Forum
        obcianskef spolocnosti
, May 2001.
Cseres, Jozef. Asztro, geo-, eko-,  bio-, ciber- és Al-zene” in
        Zenei szimulákrumok
. Magyar Muhely Kiadó, 2005.
Cummings, David M., ed.  International Who’s Who in Music
        and Musicians’ Directory (in Classical and Light Classical
        Fields), 14th ed. Cambridge,
England: International Who’s Who in Music, 1994.
Edwards, J. Michele.  Paper presentation on the work of Anne
        LeBaron, CMS Women and Music Technology Workshop in         Atlanta, March 2000.
Gagne, Cole. Soundpieces 2: Interviews with American
         Composers. Metuchen, NJ: Scarecrow Press, 1993.
Gower, Jeff. "Electric Guitar in Classical Settings" in Les échos
         de l'imep  (Publication trimestrielle d'information musicale)
        - Number 36, October 1996.
International Who’s Who of Professional & Business Women,
        American Biographical Institute, 2000.
Lochhead, Judy. “Composer Portrait: Anne LeBaron,” Journal
        of the International
Alliance for Women in Music,
        Vol. 9, 2003.
Lochhead, Judy. “Music as Place: Anne LeBaron’s Southern
        Ephemera.” Paper presented at AMS / SMT Conference,
        Seattle, 2004.
Looseleaf, Victoria. “Composer Tunes Into Aural Universe,”
        Los Angeles Times, Oct. 23, 2002.
May, Thomas. “Listening to the Silence of Frogs: Anne
        LeBaron’s Fable for Our Time,” The Washington Post,
        Apr.6, 1997.
Morton, Brian, & Pamela Collins, eds. Contemporary Composers.
        Chicago: St. James Press, 1992.
Peabody, Richard, Lucinda Ebersole and Maja Prausnitz, eds.
        Gargoyle #41. Paycock Press, 1998.
Pendle, Karin. Women and Music: a History.  Indiana University         Press, 1991.
Pisaro, Kathryn G. “Bringing It All Together: Anne LeBaron’s
        Artistic Engagement with a Mississippi Community,”
        Musicworks, #84, Fall 2002.
Rodda, Dr. Richard E. Classical Notes CD-ROM: “A collection
        of nearly 2,000 program notes on orchestral pieces by
         the world's greatest composers (nearly 500) past and
        present.”
Sadie, Julie Anne and Rhian Samuel, eds.  The Norton/Grove
        Dictionary of Women Composers, 1st American ed. 
        New York: W.W. Norton, 1994.
Sadie, Stanley, ed. New Grove Dictionary of Women
        Composers. Washington, D.C. : Grove's Dictionaries of
        Music, 2000.
Shoemaker, Bill. “Anne LeBaron’s Career is on the ‘Line,’”
        The Washington Post,  Oct. 24, 1993.
Suleimenov, Beysenbai. Feature article, “The Silent Steppe
        Cantata,” in Literature Newspaper, Kazakhstan,
        Oct. 30 – Nov. 6, 2008.
Turnbull, Helen, ed. International Who’s Who in Music and
        Musicians’ Directory, 17th Edition. Cambridge: International
        Biographical Centre (2000).
Zaimont, Judith Lang, ed. Women Composers of Electronic
        music in the United States, Vol. I. Westport, CT :
        Greenwood Press, 1984.
Zaimont, Judith Lang, and Karen Famera, eds. Contemporary
        Concert Music by Women: A Directory of the Composers
        and Their Works.  Westport, CT: Greenwood Press, 1982.


 

 

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